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This essay claims that the publication of “Cycles in Symbol Production: The Case of Popular Music” in 1975 proved to be an important moment, as this innovative article would later stimulate intellectual diversity in the sociology of culture. I support this claim by first offering a detailed overview of this article, showing how it brought together important themes of organizational adaptation, genre trajectory, and product diversity. I then offer examples of how subsequent research has addressed these themes, both in terms of supporting and extending the original arguments made in this classic article.

Registrazione al Tribunale di Bologna numero 7743 del 13/03/2007
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Progettazione grafica di Francesca Vaccari